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Back Issues

Winter 2000

Columns

Beginners: Simple Sample Input by Hans Mikelson

Synthesis: Granular Synthesis by Hans Mikelson

Processing: More Delays by Hans Mikelson

Real-time: Bird Calls by Hans Mikelson

Autumn 1999 zipped

Columns

Beginners: Panorama by Hans Mikelson

Synthesis: Csound Drums by Hans Mikelson

Processing: Multiple Feedback Reverbs by Hans Mikelson

Real-Time: Csound Meets Keykit by Hans Mikelson

Features

Csound Implementation of Physical Models of Woodwind Instruments by Josep Mª Comajuncosas Nebot

Summer 1999

Columns

Beginners: Envelopes by Hans Mikelson

Synthesis: Sound Generation with the Julia Set by Hans Mikelson

Processing: Delay by Hans Mikelson

Real-Time: Using Midi Sequencers with Csound by Hans Mikelson

Features

Using AXCsound by Michael Gogins

Csound Composition, Approaches, Attitudes and Styles by Michael Rhoades

Using Cmask in Ecological Modeling by Damián Keller

Spring 1999

Columns

Beginners: Oscillators by Hans Mikelson

Synthesis: Parametric Equation Oscillators by Hans Mikelson

Processing: The Talk-Box and Formant Filtering by Hans Mikelson

Real-Time: Real-Time Analog Modeling by Hans Mikelson

Internals: Adding Opcodes to Csound by Hans Mikelson

Features

Anythng2Score, A Guide for the Perplexed by Dave Phillips

Depletion in Within, Randomly Extracting Values from a Table by Grant Chu Covell

Winter 1999

Columns

Beginners: A Beginners Look At Csound by Hans Mikelson

Synthesis: Implementing Cellular Automatas in Csound with some Musical Applications by Josep Mª Comajuncosas Nebot

Processing: Hyperbolic Tangent Distortion by Hans Mikelson

Real-Time: Direct Csound Information and FAQ by Gabriel Maldonado

Internals: A Practical Guide to Compiling Csound by Hans Mikelson

Features

Perception of Tone Sequences and Pitch Paradoxes: A Digital Synthesis Laboratory by Luca Pavan